Dating carte de visite

03-Apr-2019 19:57 by 5 Comments

Dating carte de visite - relative dating powerpoint

Though the Williams Collection also owns a rare two-volume edition of Alexander Gardner’s famous Nineteenth-century viewers were just as likely to envision the war through the more personalized lens of the family album as through the battlefield photographs by professionals such as Alexander Gardner and Matthew Brady, which have taken the more prominent place in the historical record.The carte de visite album, which became commercially available just as the country headed into war, was an important means for a domestic middle-class audience to contend with and record their experiences of the Civil War.

Colour The colour of the cardboard mount can also help date the photograph.

Identifying the person—or people—who put the albums together can be challenging, as can tracking down information about the sitters.

The albums themselves, with their thin and fragile paper pages, are an obstacle rather than an aide to interpretation.

With over 200 high quality documented photographs included as examples for every clue, the researcher can accurately and with confidence determine most photograph dates within two to six years.

This book illustrates photographic technology changes that occurred frequently throughout the 19th century.

The popularity of the cabinet card waned around the turn of the century, particularly after the introduction of the photographic postcard, but they were still being produced right until the First World War.

Size The cabinet card was basically a larger version of the carte de visite.Removing the photographs to read the inscriptions on the back cannot easily be done without damaging the paper sleeves.These difficulties often leave key historical questions, such as the precise dating of the albums and the stories behind the images, unanswered. At first glance the photographs they contain, called cartes de visites, all seem remarkably similar: pieces of card stock about 2.5 inches wide and 4 inches tall, mounted with albumen images of stiffly posed men and women, hair glossed back, faces anonymously blank. Williams III Americana Collection at the University of Alabama, leather and cloth-bound photograph albums from the 1860s and 1870s line the dark wooden shelves, some dozen in all, small and large, cloth and leather, embossed and plain.Paper prints measuring about 5.5 x 4 inches were pasted to standard sized cardboard mounts measuring 6.5 x 4.25 inches.

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