Coronet films dating

07-May-2019 15:15 by 7 Comments

Coronet films dating - Free webcam no cc

Coronet’s output had surpassed in quantity (if not always in quality) that of the classroom film industry’s leader, Encyclopædia Britannica Films (initially ERPI Classroom Films), with an eleven-minute or longer film completed practically every week.

In May 1997, Phoenix Learning Group took over the distribution rights to the Coronet catalog.Shorts featured on Mystery Science Theater 3000 (MST3K) include Are You Ready for Marriage? Many of Coronet's other films were later riffed by Rifftrax, a successor to MST3K, created by former MST3K cast member Michael J. The company participated in a compilation spoof, titled The Great American Student (1978).Made by veteran director Mel Waskin and editor Bob Gronowski and lifting many key scenes from the older films that showcased words such as "swell", it was distributed like any other educational 16mm film of the period as a joke on unsuspecting libraries.The 1970s were a creative period for the company, despite the fact that 16mm educational films were gradually replaced by video cassettes and computers as key audio-visual classroom tools a decade later.After Hal Kopel replaced Jack Abraham as general manager (around 1972), the look and style of the films received a much-needed "facelift" and film credits belatedly included directors and the creative personnel.Since most were produced early in the post-war film boom; they were typical of the quality, production values, and content of media of the period and were subsequently often considered humorous in the context of the post mid-1960s sexual revolution.

After the earliest films entered the public domain (a large percentage of the library is still privately owned), the films of Coronet were recognized by many as notable kitsch, especially after a few became shorts for Pee-wee's Playhouse & the cable TV show Mystery Science Theater 3000 (MST3K) which mocked the films' production values and underlying messages.

Many were filmed in color, but usually exist today in black and white since educators generally economized with the cheaper format available.

Most were made prior to David Smart’s passing in 1952, but a few more were added as late as the 1970s, such as Beginning Responsibility: A Lunchroom Goes Bananas.

Coronet was still very active during the 1973-4 school year, when it placed over 60 titles for evaluation with Project METRO of the Capitol Region Education Council (CREC), in central Connecticut.

Titles included A Is For Alphabet, Color, Color Everywhere, Dating Scene, and Understanding Shakespeare: His Stagecraft.

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